The book, as they say, has dropped. Well, at least it has dropped into the lap of its author, and soon will be available to the public, including folks who attend the Kentucky Book Fair on Saturday, Nov. 13, at the Frankfort Convention Center. (The fair runs from 9 to 4:30, admission is free.)
Byron Crawford’s Kentucky Footnotes, published by Acclaim Press, is his third collection of columns from The Courier-Journal. You’ll be reading more about it in the coming weeks, and I’m hardly an unbiased reviewer, but I will share with you the best introduction to the book that I can provide, which is the one I wrote as the book’s Foreword.
For those who do their shopping online, you can order the book at this link.
When I first went to work for The Courier-Journal as a clerk in 1992, it wasn’t unusual to have people wander up to me and say, “I’ve worked here for years, but I’ve never met your father.”
Indeed, The Courier-Journal building at Sixth and Broadway in Louisville never was a good place to look for Byron Crawford. He never had a desk there. You were better off heading out of town, finding a little general store somewhere off the main road and asking if they’d seen him. Chances are it hadn’t been too long since they had.
In 1979, Barry Bingham Jr. installed him as the paper’s Kentucky columnist with a great commission — to go therefore into the hills and hollows, the forgotten corners and favorite haunts of his home state, and write about his fellow Kentuckians in his own voice, which was also theirs.
For nearly thirty years, he took his readers into places they lived, or never would have gone. Some days he carried them back in time to a Kentucky as it used to be, or would not continue to be for long. Some mornings, if they were lucky, instead of mountains he would walk them through memories, or his own reflections.
He strived to give his subjects center stage and was reluctant to turn the column toward himself. Yet in compilations like this one, now his third collection of pieces from The Courier-Journal to be published, it is hard to miss his unmistakable voice, his sense of a story told right, his feel for expressing the essence of his subjects.
These pieces do tell us something about him. But perhaps they tell me something more. Growing up, I watched him labor over columns on an evolving series of machines, big bulky computers with screens no bigger than today’s smart phones, lugging them out to the truck for another run through the state.
And I watched him later, when we wrote for the same paper, work with the same effort and care. Most of these stories did not shout from the front page of the newspaper, though some did. But he brought front-page dedication to each one.
I know what his work has meant to the state, if only because one by one, people tell me now and again about the time he came to interview a family member, and how they still talk about that day, or have framed the column, or read a portion of it at the funeral of someone he wrote about. He wondered what the interest would be in another collection of columns. I told him if only his friends bought the book, it could take him through two or three printings. Of course, the appeal of his stories is much wider. They’ve been used in schools and college writing courses, and a while back I even heard of one of his books being used to teach English to students in Greece.
Truly, you never know where his stories will take you, or where they might wind up. I suppose my best lesson in his eye for a story came a couple of years ago. He called me to ask about a member of the University of Louisville football marching band who my mother had seen playing his trumpet from a wheelchair. I told him I didn’t know, that I never watched the halftime show.
While I was focused on writing about what I thought was big news, nationally televised football games, I missed something that he was instinctively drawn to. He called several times to ask me if I was sure I didn’t want to do that story, but I passed.
Shortly after he wrote his column about blind trumpet player Patrick Henry Hughes and the moving story of his father, who not only pushed him through band practice and performances, but to every class, Sports Illustrated’s Rick Reilly graciously emailed my dad to ask if he could take a crack at writing it, too.
Soon, Hughes was on the national morning shows, and then the Oprah Winfrey Show. His story culminated in the network program Extreme Home Makeover completely re-doing the Hughes family’s house, and millions of Americans were touched by this tale that was told first in The Courier-Journal, by its one writer who saw the value in such stories the most and told them best.
It was an inspiration for many. For me, it was one more example of dad taking a small story and doing big things.
In the following pages, you’ll see what I mean.